I absolutely love the art style, the strong contrasts and pastel colours. It’s also a really nice bit of representation to inspire young makers, especially being right outside a two-floor hardware superstore.
From the artist:
I think the BCC traffic signal box initiative is one of the best creative projects in Brisbane. It connects the community and is a visual representation of Brisbane’s sense of place.
I know from painting on the street, (literally…sometimes you’re laying down doing the low parts on the actual freaking street) so many people came up to say how much the artwork gives them a high!
As I was heading to Office Works in the city, I discovered this signal box painted in bright floral colours representing Queensland architecture and the square behind it.
I took a quick snap because I’ve been thinking about starting a signal box database (nerd alert!) but when I looked up the artist I found she’s painted a number of signal boxes and even had work displayed on a CityCat.
I have loved architecture of all sorts since I was a child. Born and bred in Port Macquarie, NSW, I used to love driving north for family holidays and upon reaching the Clarence River region; there was a distinct shift in the style of domestic architecture. Perhaps because it marked the arrival at the holiday destination, or simply an innate love of these timber and tin houses, I become a Queenslander fan. As a response to existing on floodplains, these houses sat high and proud on strange timber stilts and were embraced by the surrounding sugarcane fields.
Then, when I moved to Brisbane in 1992, the romance of latticed verandahs shaded by mango and palm trees was an utter delight. I was totally besotted with their beautiful decorative features, history and adaptation to the hot and humid climate.